Since 2008, Nicholas Delaroche has been photographing private art collections around the world, making visible what is generally hidden from the public.  His work uncovers the fragments of intimacy – Swiss, Chinese, Brazilian, French – that dialogue with the works.  In a rare aesthetic nowadays, these domestic collections become cohabitations between art and life.
   Freed from museums, the fugitive works offer a colourful crowd of ordinary things; they contend with local spaces and materials, light reflection or concrete aggregate, the plastics and the mirrors of the homes.  Juggling frames, positioning and materials too, Unseen attractions offers a view of the private lives of domesticated works.