The Atlas is the second volume of the publication emerging from the collective research project Revolving Histories, whose first launch event takes place in Geneva/Lancy. The use of the term revolving suggests a form of circulation in relation to performance art in Switzerland and highlights the exchanges that take place within it: bringing these stories into motion through narration. This is also the focus of the programme Polyphonies, scènes translocales that takes a wide-ranging look at Swiss scenes, reflecting different tendencies in performance across an intergenerational spectrum. The proposals will unfold within the distinctive spaces of La Ferme de La Chapelle during this programme shaped by visual and sonic echoes.
   With a performed presentation by Lena Eriksson, Sabine Gebhardt Fink, Chris Regn, Dorothea Rust, Andrea Saemann, Margarit von Büren and performances by Heike Fiedler, Judith Huber, Maria Fernanda Ordoñez, Chris Regn, Sabrina Smaili, Juliette Uzor