Camille Dumond works at the crossroads of cinema, sculpture and installation.  She is interested in the links between territories, social structures and individual identity and she explores the influence of the built environment on our behaviour and on our memory.  Being particularly attached to areas of transition where reality and fiction meet, she uses craft materials and techniques as narrative supports. The exhibition Everything but sliced presents an immersive video installation, ceramic pieces and a series of circular objects engaged in a dialogue with the architecture of the Ferme de la Chapelle.  She addresses themes related to power, surveillance and the movement of bodies as well as the role of objects as emotional or social substitutes.